I‘m sure you’ve heard of Hugh Hefner. And you might have even heard of Jason Kottke, who’s been blogging since pretty much the beginning of blogging in 1998. Did you know that Hefner and Kottke have something in common? (This is totally safe for work, trust me.)
I’ve been reading Jason Kottke’s blog since 2000. It’s evolved quite a bit since then, but in a certain respect I’ve always thought of his blog as a scrapbook of a mans’ walk through culture, which reflects his tastes, values, and passions. Most of the blog is not about Jason’s life — especially the posts from the last few years — though what he publishes is a personal editorial decision, so I think we can assume that those decisions say something about him.
That’s why I think Kottke.org is certainly a scrapbook (of a sort) that chronicles Jason’s experience with “the liberal arts,” as much as it is about the liberal arts themselves. After all, the blog is not comprehensive of the liberal arts; it’s representative of the liberal arts Jason finds compelling. If you read through Jason’s interviews (links below), Jason says that he tries not personally editorialize or advocate for certain points of view on his blog — he wants to be “neutral” — but by curating the content, he is expressing his interests in his scrapbook.
I would love to know what’s going to happen to Hugh Hefner’s scrapbook after he passes. Have you heard of this thing? Hefner has amassed about 2,000 volumes, dating back to high school, into a scrapbook of his life. Of course, his life really hasn’t been his life for some time; in part, because of his chosen profession, his life is a history of post-1950s censorship battles, socio-sexual developments, and race relations. Through the 1960s and 70s, Hefner and Playboy were part of (Hefner might say center to) a conversation about morality and sexuality in the United States.
Here’s one example of how the Hefner scrapbook is more than a personal journal. In an interview with Brigitte Berman, director of the documentaryÂ Hugh Hefner: Playboy, Activist and Rebel, she relates one thing she found surprising in the scrapbook:
So Hef’s into scrapbooking?
He still does them. One of things I loved was the one about the Big Bunny–the big personal plane he has with the bunny logo on the tail. Hollywood friends asked him if they could use the Big Bunny to rescue Vietnamese orphans during the war.There are these incredible photographs of the bunny girls caring for these orphans on the plane.
The scrapbook has been a passion for Hefner since before World War II (even using Twitter updates here and here to let us know when he’s working on it), and I think because of that the scrapbook will be made public after he’s finished working on it (the day he dies, I would imagine). It’ll probably be given to a library or other public archive, and probably digitized for researchers.
That’s the key difference between the Kottke and Hefner project: one is readily public, the other is not (though Hefner has given access to researchers and filmmakers in the past). Despite this, I think they’re both scrapbookers at heart, collecting their interests and passions into compendium of entries. Both reflect their life experiences. Kottke is pointing us towards things that might interest us now; Hefner is collecting points in history that will interest us later.
- Interview with Jason Kottke on Think Big
- Interview with Jason Kottke by Rebecca Blood
- Interview with Jason Kottke on Spark (CBC Radio)
- William F Buckley interviews Hugh Hefner in 1966 (part 1 and part 2)