bruce springsteen

While working on a writing project, I had to create a transcript of a 1998 interview that Charlie Rose had with Bruce Springsteen. This is an answer he gives in the 60 minute interview, about the central idea in his writing: work.

My music, because of what I wrote about, always had political implications. I suppose that came up originally out of my home life, my experience growing up, and my relationship with my father. And trying to understand the concept of work, and how work plays a central role in your life. I had two real, very different examples. My mother’s relation to work was very joyous. Very happy. It provided the entire family with stability. What she gained from it was an entire mode of behavior. You get up in the morning, at a certain time. You prepare yourself. You get yourself ready to go to a job. You walk down the street and you’re there at a particular time of the day. And you interact with your co-workers. And that’s a big part of your social life, your work life, and your place in the world. You’re doing something that has a purpose. There’s a reason you’re there besides just feeding your family. You’re a part of the social fabric. You’re what’s holding the world together. You’re what’s holding the town together, that’s holding your family together. I always remember that she walked with tremendous pride and strength, enormous strength, and it gave such great comfort, such great great comfort to a child. That makes sense. I understand that.

My dad had a different experience. Work was involved with pain. He lost his hearing when he worked in a plastics factory. Lost a lot of his hearing. He struggled to find work and go to work. The regulation of behavior that work provides wasn’t a big part of his life, and that was painful for everybody involved.

That’s essential. That’s central to the way that we live and think about ourselves, and who we are, and the place we live in. And so I saw both sides of it. I saw what happens when that’s not present there is pain, and there is anger. And deep, deep … it’s a destructive force. You wither away. You waste away. You don’t know where you’re going or who you are, and you take that out on the people that you care about. And that’s something you don’t want to do. But it happens.

So that’s what I wrote about. That was really really important. It’s the single thing that I’ve written about, my entire life, that fundamental idea. The importance of that idea in society. The cost of not providing that for … whether it’s for people to be able to take care of their families, to have productive jobs. The debasement of ourselves, in not having a society where that’s provided to all our citizens.

It all grew from there. It grew from my experience, and my trying to sort out my experience. I didn’t grow up in a political household. I didn’t have some particular ideology, or be a political person from where I came from, but I needed and wanted to write about those things because they were essential. A lot of my music has grown out of that place over the years.

Photo by Barack Obama and republished here under a Creative Commons license.

classic 1 star reviews

I’m just learning how to edit some compelling posts with this new feature. At first I thought all the classics would have great (read: head knocker) one star reviews, but that wasn’t the case with Casablanca. There were no reviews composed on planet I’m-On-My-Meds-I-Really-Am.

Here’s a more controversial film, Raging Bull. Now that has to have interesting scribblers dropping opinions:

Martin Scorsese isn’t a bad fellow, and he has a lot of talent, no doubt, but his influence on young American moviemakers has been entirely negative. The galloping illiteracy of this film, the first of Scorsese’s f-word festivals, has infected dozens of other directors and screenwriters, and has even spread to television, where we see a sewage backup like “The Sopranos” being acclaimed by many who should know better. The screenplay of “Raging Bull” is shot through with inaccuracies, and nobody who remembers Jake LaMotta performing on “Car 54 Where Are You” is going to accept him as a tragic figure. The real tragedy is the debasement of the English language and its inexhaustible variety by a film like this.

Just a few ways to describe this incredibly over-hyped movie. I sat down with some friends expecting to see a good film, hoping I’d get the Scorcese who directed Goodfellas and not the Scorcese who directed The Colour of Money. Well after sitting through hours of this sleep-inducing cypher of a film, I realised [sic] I had got something much worse. I still don’t understand what all the fuss is about. The plot is pretty simple – supposedly about a great but flawed boxer, it’s really about a selfish bum who cheats on his wife, knocks his girlfriend around, beats up his brother, then fades from whatever “glory” he once had into a life of pot-bellied obscurity. Whopee, just what the world needs – another film about a selfish, greedy, stupid *loser*.

Why do I hate this film so much? I hate the characters, none of whom have any redeeming features whatsoever. I hate the artificial and pretentious black & white. I hate the ludicrous boxing scenes. I hate the moronic and self-indulgent religious imagery. So Scorcese is a devout catholic? Well the Pope is too but does that make this a good film? I think not.

I really can’t believe everyone has given this film 5 stars. Looks like another case of “oh, all the critics like it, so it must be a great movie”. “I coulda been a contender,” laments the lead character at the end of the film. Sure buddy, and Porky Pig coulda learned to fly. Exploiting this line from a *genuine* classic is just the last straw.

The final verdict? Watching this film the cinematic equivalent of wading through a cesspit. That said, if you’re suffering from insomnia, I think I might just have found a cure…

Yet another exampled of a ‘great’ movie that is highly overrated.

La Motta was a jerk. Plain and simple.

The movie is well recorded, but that is it.

If you know why this is a ‘great’ movie, please email me and let me know.

I’m a boxing fan and train often but I have no idea why people like this movie. It’s a story about a cocky, arrogant jerk who likes to abuse the people around him both mentally and physically. Most of the movie is of him degrading women, screaming profanities to them and hitting them. In one scene he beats his own brother badly in a jealous rage, stomping him and then slugs his own 20 year old wife. The only thing I learned from this movie is that Jake Lamotta was one horrible person. This movie does nothing for boxing.

Lousy movie. Almost as bad as Lost in Space. I found it very amateurish – particularly the unsubtle operatic opening – and sunk with the weight of its own pretensions. I was a big De Niro fan after Godfather 2 and he’s probably the only interesting thing about this movie. But I couldn’t stand the little guy who swears a lot. Watching this movie was like being hit in the head repeatedly with a sock full of vomit. If it’s a good boxing movie you’re after try Fat City. Guaranteed no pretensions. And no overeating.

root maggots

I received Riverland Currents this morning, the weekly newsletter from the CSA (community supported agriculture) I joined this year. It was interesting, though not exactly what I was expecting. Actually, I’m not sure what I was expecting. Maybe news about how a tractor broke down, the weather was too hot or too cold, too wet or too dry, or maybe even photos showing off the sun tans the farmers have already developed?

Instead, the newsletter had a lot of talk about maggots of all varieties: seed corn maggots and cabbage root maggots, among others (the photo above is of maggots eating broccoli roots). The details about maggots and their prevention!

This has been a threat for us every year so over the last 2 years we developed a system to deal with cabbage root maggots which involves getting row cover on the crop the very same day we put it in the ground. The row cover acts as a physical barrier preventing adult maggot flies from laying eggs on the plants that in turn hatch into maggot larvae and feed on the roots of the young seedlings. After two years of great success using this row cover method this year we inexplicably were still hit hard with root maggots underneath the row cover.

Impressive stuff. I guess that’s part of what you pay for with a CSA share: information about the food source. Though I never thought about maggot news. When you’re shopping in a big grocery store with little signs proclaiming “local produce!”, they never mention maggots next to the photo of some hardscrabble Farmer Brown.

Photo by mcav0y and republished here under a Creative Commons license.

springfield ma tornado

Do ever feel like you know less about what’s happening in your community after watching television for a few minutes. That happened to me when I was watching the local news stations, WWLP, WGGB, and CBS3, about the tornado that ripped through Western Massachusetts.

It’s often true, we do know less, or at least no more, after watching much of television news. The exceptions are rare, when television news reporters give relevant, useful information to the local community in the aftermath of natural disaster. After the tornado in Springfield and surrounding towns, 90% of the television news was pure bullshit.

This happens because images — photos or video — often can’t tell us what we need to know (I didn’t say what we want to know), like: how my neighbors and neighborhood is, who’s hurt, where are people gathering in the aftermath, or who do I contact if I’m hurt. An image can’t give you any of that information. A person does. Of course a person can talk over images (called a “voice-over”), and the Springfield news stations did a lot of that, to useless effect. Mostly. There’s a problem with voice-overs: if you don’t have information to tell your viewers, the segment turns into “oh, look at that roof! Look at that tree! Oh, that car was flipped over!” It’s kind of like watching auto racing for the car crashes.

The difference maker

There was one exception to the typical television news coverage in Springfield, a report done by Bill Shields on WSBK TV-38 during their 9pm news. It was an exceptional report for a number of reasons. He was on the phone without video speaking to the news anchor back in the Boston studio. Shields was reporting, using only his voice, on things he experienced. The segment lasted about 5 minutes, which is long. Most local news segments don’t stretch longer than 90 seconds. His reporting was gripping: he described both details and the big picture, he was personal, and he put his witness into a context of 30 years of news reporting in New England. Thirty years?! How come Bill Shields hasn’t been laid off yet?

What’s to be done about our crappy news?

Not to be a pessimist, but not much can be done. There are too many obstacles to making change, most of them economic. For local television stations the number one profit center is their news broadcast. They’ll never take a chance on improving the news product if it means possibly disturbing the bottom line. In fact, despite the well meaning and sometimes dedicated news folks, the television news has turned into entertainment. Mostly, it’s the amusement hour.

If you’re interested in a aftermath video, here’s a good 3 minutes a guy shot on the way to work.

Photo by Massachusetts Dept. of Environmental Protection and republished here under a Creative Commons license.

classic 1 star reviews

I have a new feature for you: once or twice a week you’ll find Classic 1 Star Reviews of Classic Movies.

People think strange sometimes. They don’t always agree with the movie critics, directors, and the historians that the American Film Institute pulls together to create their top 100 lists [Wikipedia]. Sometimes people are just haters, I guess. Who are we to judge? Let’s not judge, but enjoy how their minds work.

Here are some one star reviews of The Godfather, released in 1972 and directed by Francis Ford Coppola.

When’s an editor when you need one? This movie is so long that I played it on my TV, drove across the state, and when I came back, it was still playing. Since when is a movie this long? Movies are supposed to be 1:30-2:00 hours long. Plus this movie is as boring as a trip to the doctor’s. No good violence, no hot sex scenes, and furthermore, it stereotypes Italians.

“The Godfather” has an ugly consciousness and a mean spirit. I see no justification for it, thoroughly disliked it, and have tried to forget it.

I did indeed sit through all 57 hours of the Godfather and not only is it one of the most boring movies ever made it’s completely pointless garbage. I have no clue why it’s considered the greatest film ever made but then again most people are dumb so yea no suprise [sic]. The only good thing about this film is the music, if you haven’t seen it don’t buy into the hype that’s all it is hype… BUT if you have insomnia put this movie in you should be asleep within the first 30 minutes.

I finally saw this movie with my family and after an half hour I was thinking of running out in the middle of rush hour traffic, that would have been more exciting than watching this all the way through…but I watched it anyway.

This movie was so violent I couldn’t believe it! On a scale of 1 to 10 on the violence in this movie I would give it a 9!

Courtesy of the Website If we don't, remember me.

appalachian trail feet

I’m writing a book about being a successful adventurer (more about that in the coming weeks), based on my Appalachian Trail thru-hike 20 years ago. Part of the research has been to look back at journal entries and letters that I wrote at the time. Sometimes it’s inspiring reading, and other times sad. Here’s a few paragraphs that’s a little bit of both.

11 May 1990 — Got to get to Damascus, VA to see a doctor about a possible foot infection. I do know one thing, the foot hurts like hell and I can’t walk with a shoe on my left foot. I’ve walked a few miles (about 8-9 miles) with a flip-flop on my left foot and a boot on my right …

When I was walking yesterday and decided the pain was too much to walk with my boot on, I was seriously depressed. I knew it was more than a blister, but didn’t know what it was — except that it hurt like nothing I’ve felt on the trail.

But after putting on the flip-flop and getting over the fact that I would finish the Trail despite the problem, I felt really pumped. For a while I thought, “oh, no, this is it,” but remembered the vow I made to myself, which was that I would finish the trail no matter what — only a serious broken leg would stop me. So, remembering my personal vow got me pumped again; “I’m going to finish, even if it is with a flip-flop and a boot.”

I can’t describe how good I feel about my attitude and fortitude in the face of this situation. I will finish, not despite of the foot problem, but because of it; the problem and my adapting to the situation has given me greater powers. That’s one thing about getting depressed out here is good for — becoming stronger. No one is by your side to comfort you — unless you talk to fellow hikers — you’ve got to find a way out of the depression yourself, or else just quit. Probably three or four times I’ve been really down, then found my way out, only to become stronger. When I’m back in the real world I’ll be an animal — nothing can stop me after finishing the Trail.

After all, what’s harder than testing both mind and body seven days a week, for four and a half months? I got a ride from an older gentleman in Erwin, TN and he asked, “How’s the work going?” Nobody has ever expressed walking the Trail that way who has never walked the Trail themselves. I thought, “how’s the work going” was great, because it is work, for me at least. I like the fact that I’m working out here. Certainly I’ve never been tested as hard.

One thing I liked about wearing the flip-flop (that is, if there is anything to like about it) is that I changed to confront the challenge in front of me; the Trail wasn’t going to become any easier just because I was hurt. I had to adapt to the situation and do the best I could with limited resources. I didn’t beat the Trail, but I worked with what it gave me.

Photo by marklarson and republished here under a Creative Commons license.

3 Methods to a 47 Percent Email List Open Rate

Last week my friend and client Steve, from Amherst Wines & Spirits, told me that his previous monthly email newsletter open rate was 47%. If you need some context, for a retail brick and mortar business, an open rate like that just doesn’t happen (MailChimp open rates by industry). But I knew he didn’t misread the analytic report because when I started working with Steve, right out of the gate, his open rate was also a leader in his business sector, fluctuating between 20 and 30 percent. I knew most businesses would kill for even that email open rate.

Steve was complementary to me for bringing his open rate even higher, but he was clearly doing an effective job before I showed up (though he didn’t know it because he managed his email list by hand, in his regular email program).

Here’s what Steve does to get astronomical email open rates, along with some lessons this may teach us all.

Steve pre-qualifies his email list subscribers. Nearly every person that subscribes to his monthly newsletter has been into his store and bought something. And most of those email newsletter subscribers are also subscribers to his printed newsletter, mailed at the beginning of each month (the email newsletter is sent in the middle of the month). This means the number of subscribers to both of the lists climbs slowly, but the new subscribers have proven they want his messages.

Steve has a small business. He’s the only full time employee, so it’s likely that he’s personally spoken with every person that’s signed up for his print and email newsletters. Also, he’s tasted every single wine and spirit in the store, so when you ask for a recommendation, he has one specifically matched to your needs. Recently I asked Steve for a two bottles of wine, less than $11 each, that tasted more like vegetables than a jar of jam, and if they had screw tops I wouldn’t mind. A couple of minutes later he had two recommendations (both of which have been wonderful).

Given that context, it’s clear that Steve’s email list subscribers want the information he sends each month. Here are lessons Steve’s experience can teach us:

  1. Don’t worry about the number of subscribers to your list, because if none of them open your emails, what’s the point of a big number? Being more concerned with who’s on the email list should be the priority; those are the people that want to read your messages.
  2. Pre-approve your email list subscribers. It doesn’t have to be like Steve in his brick and mortar store. You can make a strong pitch to people who’ve already proven to be customers, and ask them to sign-up for a monthly newsletter. Just because they bought something from you, don’t assume they also want to receive other communication from you. As hot-top marketeer Seth Godin says, ask for permission.
  3. Have a deep knowledge of what you’re trying to sell, then communicate using language that’s familiar to your customers. No, I didn’t make a leap in logic. If you communicate using language that’s familiar to your customers, then like Steve, you need to get to know them. If both you and your customers get to know each other, and treat each other with respect, then it’s a good likelihood they’ll open your emails.

Do you have any interesting email open rate stories? Please leave them in the comments below.